Alastair Macaulay, The New York Times, August 21, 201

“The Erasing Borders evening ended with “Dashavatar,” in which five women of Srishti Dances of India performed Odissi and Bharatanatyam styles in counterpoint. The gleam of their belts, the luster of a marigold fabric registered splendidly, but so, too, did the interplay of rhythmic traveling and richly sculptural stillness. This was the dance chronicling the 10 avatars of Vishnu; you could see the dancers seamlessly switching into drama and out of it.”